E tu Brute: Trump-Cesar Play in Central Park Shows “Trump” STABBED to death

“I mean it was the on-stage murder of the president of the United States,”

When will enough be enough? Why is it considered normal for “performance arts” to assault our President? I’m sure you have heard it or seen it many times, “They did the same things to Obama and it wasn’t a big deal, get over it” -Typical Anti-Trumper. Well true it did happen to Obama but never on this high of a broadcast level. Our mainstream media has added fuel to this fire by allowing and promoting such acts against our President as “resistance” or fighting for justice. Violence is violence. Period.

Now we have this play in Central Park. The Shakespeare play of Julius Cesar was rewritten into a Trump story. As you may have guessed… a Trump character replaced Julius Cesar. At the end of the play, this character is brutally stabbed to death by those closest to him. Using the performing arts, this play created a way to show our President being killed. Scroll down for more. 

Mediaite.com Reports

“Shakespeare in the Park, an annual summer program by The Public Theater that puts on plays by William Shakespeare in Central Park, kicked off May 23 with a performance of Julius Caesar.

But this rendition of Shakespeare’s tragedy comes with a twist — Caesar is played by a character that bears a striking resemblance to President Donald Trump.

According to Playbill, The Public Theater’s Oskar Eustis directed the Trump-inspired take on the classic political drama, which boasts famed stage actor John Douglas Thompson and House of Cards star Corey Stoll in its cast.

The choice of Julius Caesar for the annual program is one dripping with subtext, chosen deliberately for the supposed parallels between the Roman dictator and Trump. A description of the play on The Public Theater’s website states that “Shakespeare’s political masterpiece has never felt more contemporary.”

It describes the Roman leader as “Magnetic, populist, irreverent,” and “bent on absolute power.” The description also notes that a “small band of patriots, devoted to the country’s democratic traditions, must decide how to oppose him.”

Those who have read Shakespeare’s play know how that opposition manifests itself (brace for spoilers): a group of conspirators — including his friends Cassius and Brutus — stab Caesar to death on the Senate floor.

Laura Sheaffer, a sales manager at Salem Media who attended a performance of Julius Caesar on Saturday, first described the the Trump-inspired performance during an interview with Joe Piscopo on AM 970 THE ANSWER.

“The actor playing Caesar was dressed in a business suit, with a royal blue tie, hanging a couple inches below the belt line, with reddish-blonde hair — just like Trump,” Sheaffer told Mediaite.

“I always go to Shakespeare in the park, but I wasn’t expecting to see this,” Sheaffer said, adding that the script was mostly loyal to the original Shakespeare, and that there was no explicit reference to the American president, though the intention was “blatantly obvious.”

In the scene before Caesar is assassinated, his wife Calpurnia begs him to stay away from the Senate, claiming she is having nightmares of his murder. According to Sheaffer, the actress playing Calpurnia bore a resemblance to first lady Melania Trump — replete with a “Slavic accent.”

Shaeffer also noted that in the scene, the actor playing Trump Caesar steps out of a bathtub stark naked, which she said struck her as disrespectful, and a “mockery of the office of the President.”

In the next scene the Trumpian Caesar is attacked by the Senators and stabbed to death as an American flag hovers overhead, according to Shaeffer. “They had the full murder scene onstage, and blood was spewing everywhere out of his body.”

“To be honest I thought it was shocking and distasteful,” Shaeffer continued. “If this had happened to any other president — even as recently as Barack Obama or George W. Bush — it would not have flown. People would have been horrified.”

“I mean it was the on-stage murder of the president of the United States,” she said.”

Where do we draw the line? When will enough be enough! This is really getting out of hand.

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